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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 28, 2018 | Christie's | London | Impressionist and Modern Art Evening Sale | 28 | $****** - ****** | Champ de course à Boulogne-sur-Mer | |||
Nov 8, 1994 | Sotheby's | New York | Impressionist & Modern Paintings, Drawings & Sculpture - Part I | 9 | Estimates not disclosed | Le champ de courses a Boulogne sur Mer | |||
Jun 27, 1988 | Christie's | London | Impressionist & Modern Paintings & Sculpture | 15 | Estimates not disclosed | Le Champ de Courses a Boulogne-sur-Mer |
paintings
58.4 x 76.8 cm (23 x 30.25 in)
oil on canvas
signed with the monogram and dated ‘1900’ (lower left)
Eugène Descaves, Paris; his sale, Hôtel Drouot, Paris, 28 March 1919, lot 72.
Anonymous sale, Galerie Georges Giroux, Brussels, 9 November 1933, lot 200.
Anonymous sale, Galerie Georges Giroux, Brussels, 14 March 1936, lot 309.
G. Vanderhaeghen, Ghent, by 1962.
Anonymous sale, Christie’s, London, 27 June 1988, lot 15.
Private collection, United States, by whom acquired at the above sale.
Anonymous sale, Sotheby’s, New York, 8 November 1994, lot 9.
Private collection, United States, by whom acquired at the above sale.
Galerie De Jonckheere, Brussels.
Maurice Keitelman, Brussels.
Waring Hopkins, Paris.
Triton Collection Foundation, The Netherlands, by whom acquired from the above in 2000.
Brussels, La Libre Esthétique, Huitième Exposition, March 1901, no. 468, p. 41.
Bilbao, Sociedad El Sitio, 1901.
Vienna, Secession Building, Entwicklung des Impressionismus in Malerei und Plastik, XVI, January - February 1903, no. 122, p. 32 (titled ‘Pferderennen’).
Ghent, Musée des Beaux-Arts, Rétrospective Théo van Rysselberghe, July - September 1962, no. 76, p. 42.
Deurle, Stichting Léon de Smet, Peintres Flamandes XIX-XX siècle, May - June 1981, no. 49.
Brussels, Palais des Beaux-Arts, Théo van Rysselberghe, February - May 2006, pp. 65-66 & 258 (illustrated p. 65); this exhibition later travelled to The Hague, Gemeentemuseum, June - September 2006.
The Hague, Gemeentemuseum, Meer dan kleur. Fauvisme en expressionisme uit de collectie van de Triton Foundation, April - September 2009, pp. 10- 11 (illustrated p. 10).
Rotterdam, Kunsthal, Avant-gardes: De collectie van de Triton Foundation, October 2012 - January 2013.
T. van Rysselberghe, Letter to François Viélé-Griffin, 11 August 1899, as 'champ de courses'.
G. van Zype, 'Notice sur Théo van Rysselberghe', in Annuaire de l'Académie royale de Belgique, Brussels, 1932, p. 35 (dated '1899').
G. Pogu, Théo van Rysselberghe. Sa vie. Premiers éléments, 1963, p. 22.
D. E. Gordon, Modern Art Exhibitions, 1900-1916, Munich, 1974, p. 26.
S. Goyens de Heusch, Het impressionnisme en het fauvisme in België, Antwerp, 1988, p. 204 (illustrated).
R. Feltkamp, Théo Van Rysselberghe, 1862-1926, Catalogue raisonné, Brussels, 2003, no. 1900-009, pp. 326 & 494 (illustrated pp. 83 & 326).
S. van Heugten, Avant-gardes, 1870 to the present: The Collection of the Triton Foundation, Brussels, 2012, p. 562 (illustrated pp. 86-87).
signed with the monogram and dated ‘1900’ (lower left)
oil on canvas
23 x 30 1/4 in. (58.5 x 76.8 cm.)
Painted in 1900
